Tuesday, December 23, 2008
City Paper's Top Albums of 2008
Posted by T. Ballard Lesemann on Tue, Dec 23, 2008 at 1:20 AM
In this week’s year-end double-issue (Dec. 24), the City Paper critics pick the best albums of the year.
This year, we asked our small gang of in-house and freelance music writers to come up with 10 albums — and they could be new studio or live collections, box sets, re-issues, or EPs — that stuck in their heads and ears, 10 collections that received repeated play in the car, on the home stereo, on the iPod, etc. The following lists contain some surprises — and a few albums that earned multiple listings.
Check out additional best-of lists from Chris Haire, Stratton Lawrence, Jon Santiago, John Edward Royall, Alan Sculley, Kinsey Labberton, Bryan Reed, and Michael Andrews in the forthcoming issue. Here’s mine:
T. Ballard Lesemann’s 2008 Pozi-Vibe List o’ Albums and One-Word Summations
1. Al Green — Lay It Down (Blue Note)
The funky reverend’s smooth new collection maintains the classic and tight arrangements of his best work — from the 1970s and in recent years — but dives deep into the soul with a slightly more modern style, thanks in large part to production work by ?uestlove Thompson (the drummer from The Roots). Lay It Down really gets down with an impressive guest list of R&B artists, including John Legend, Anthony Hamilton, Corinne Bailey Rae, and the Dap-Kings Horns. Green’s breathy falsetto and crackly howls are as strong as ever. This one’s a go-to album that dissolves the distractions of the day.
Dig some of “Just for Me” here:
2. Stanton Moore — Emphasis (On Parenthesis) (Telarc)
Galactic’s drummer demonstrates great skill, feel, and complex arrangement ideas … plus he oversees a really smooth and cool overall band sound. The summation: “Syncopated”
3. The Fleshtones — Take A Good Look (Yep Roc)
Singer Peter Zaremba, guitarist Keith Streng, and the guys from Queens, N.Y., rock and rave on a no-nonsense collection of fun new tunes. The LP’s great, but I loved this YouTube clip: an intentionally badly-acted “promo” for their latest. The summation: “Ravin’”
4. The Hold Steady — Stay Positive (Vagrant)
It sounds like Hüsker Dü with piano and Southern accents. Massive and pure and genuine. The summation: “Dense”
5. Matt Keating — Quixotic (Megaforce)
A melodic and ultra-catchy 22-song effort peppered with gingerly plucked acoustic guitar chords, slinky slide guitar, Keating’s nasally sweet singing and occasional Tom Waits-style snarl. The summation: “Poised”
Singer/uke player Ami Worthen and guitarist/foot drummer/fiddler Jason Krekel serve up cool, twangy, retro vibes and have a rock ’n’ roll party. "Let the Blues Slip In" was a favorite since springtime. The summation: “Jaunty”
7. Bob Mould — District Line (Anti-)
A step back to “huge guitar”-based power-pop; his strongest rockstuff since the early Sugar days. The summation: “Exhortation”
8. The Fall — Imperial Wax Solvent (Import)
Singer Mark E. Smith’s beery holler and preacher-like inflictions are is still effective — even with an almost entirely new lineup behind him. Wife, keyboardist, and singer Eleni Polou’s stylish contributions balance the rough nuttiness. The summation: “Growling”
9. Elf Power — In a Cave (Ryko)
The ever-evolving Athens, Ga. band’s 13-song album swings between two distinctive styles and/or personalities: the familiar classic “Elf” rock sound with four-chord verses, etc., and a foggier, melancholic, more trance-like atmosphere. The summation: “Sauntering”
10. Various Artists — Boots, Buckles & Spurs: 50 Songs Celebrate 50 Years of Cowboy Tradition
(Sony/Legacy)
If Tommy Duncan’s lulling rendition of “Dusty Skies with Bob Wills & Texas Playboys or Gene Autry’s cheerful “Back in the Saddle Again” don’t spur ya, you just ain’t right. The summation: “Pastoral”
Additional cool stuff from this year: AC/DC’s Black Ice (Columbia), The Avett Brothers’ The Second Gleam (Ramseur), Kings of Leon’s Only by the Night (RCA), The Smiths’ The Sound of the Smiths (Rhino), R.E.M.’s Accelerate (Warner Bros.), Samantha Crain’s The Confiscation (Ramseur), Willie Nelson’s One Hell of a Ride (Sony), The Rosebuds’ Life Like (Merge), David Byrne & Brian Eno’s Everything That Happens Will Happen Today (Todo Mundo), and Wire’s Object 47 (Pink Flag).
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interesting list! preview did our "best albums of the year," too. it's cool to compare and contrast. mine: Nine inch Nails, "Ghosts": This is nearly two hours of instrumental music from one of the most brilliant and progressive minds of our generation, Trent Reznor. 'Ghosts' is a headphone masterpiece and an electronic music lover's dream. The variety of the 36 songs on this double-album is beautiful: You'll hear ambient music, piano-based songs, hints of bluegrass and, of course, aggressive guitar songs. Ida, 'Lover's prayers': Ida is the most consistent and underrated band of modern music. Its sound, a warm blend of folk and indie rock, is best suited for late-night, quiet moments. 'Lover's Prayers' has some of the most hauntingly melodic songs I've ever heard. Also check out the accompanying EP, "My Fair, My Dark." 2) Erykah Badu, 'New Amerykah Part One (4th World War)': 'New Amerykah' finds Erykah Badu going further into avant-garde music. Not for the mainstream at all, it's the kind of album that reveals its beauty slowly through trip-hop-influenced political songs and heart-pounding beats. You'll hear something new every time you listen to it, I promise. 3) Metallica, 'Death Magnetic': It's impossible to listen to this album out of context — Metallica will always be measured by the early albums. Almost surprisingly, though, 'Death Magnetic' matches, and sometimes surpasses, Metallica's classic material. If 'All Nightmare Long' doesn't renew your faith in the band, then nothing will. 4) Marnie Stern, 'This is It and I Am It ...': This album shoots out of a cannon from the first note and never lets up. 'This is It and I Am It ...' is a raw punk album from a guitar goddess. All noise and musically schizophrenic. Absolutely brilliant. Honorable mentions: Tape Loop, '1945'; William Fitzsimmons, 'The Sparrow and the Crow'; Bon Iver, 'For Emma, Forever Ago'; Flying Lotus, 'Los Angeles'; Mogwai, 'The Hawk is Howling'; Q-Tip, 'The Renaissance'; Portishead, 'Third'; Mount Eerie, 'Lost Wisdom.'
(the top two were tied for no.1)
No Airbourne? What the hell?
Thanks for the eclectic list, Marcus — I’ll have to immerse my big ears in that new Nine Inch Nails music (hopefully my brain can handle it). From Erykah Badu to Metallica? You cover some heavy ground, man. Jack! You mean that longhaired AC/DC-styled band from Down Under named after the bogus cold remedy? Sure, that Running Wild album rocks (maybe they're stealing DC's act?), but I went with the real thing in the “Honorable Mention” section: AC/DC’s Black Ice. Keep an eye out for “best of 2008” lists from writers Alan Sculley, Kinsey Labberton, Bryan Reed, and Michael Andrews over the next four days. Cheers.
I'll second the Marcus vote for NIN. I bought it on vinyl and have chosen various sides for evening-long listening sessions. It doesn't sustain as well as Godspeed You Black Emperor beginning to end plays, but certain tracks are brilliant.
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