Spoleto Festival USA. Composer Phillip Bimstein creates sonic oral histories that combine live instruments with samples of recorded human and animal voices as well as everyday and environmental sounds. His post-modern classic Garland Hirschi’s Cow will be performed along with other recent works at the vanguard of new technologies in music. (1 hr. 15 min.)
WHAT IS IT? In this ever-fascinating series, director John Kennedy takes us straight onto the cutting-edge of contemporary music. We’ll get four stimulating late-afternoon programs.
WHY SEE IT? Music keeps evolving, and in more new directions than most of us can keep track of. Trust Mr. Kennedy to winnow out the best of it. This time ’round, we’ll get works ranging from a violin concerto by Gavin Bryars to “oral histories” (with instruments) from Phillip Bimstein. In between, we’ll hear Michael Harrison’s shimmering music for “just-intonation piano” and a premiere performance by Yumiko Tanaka: a virtuoso of the shamisen, a traditional Japanese stringed instrument. Tanaka is in town to provide accompaniment for Basil Twist’s Dogugaeshi, a puppet show that uses a matrix of slides instead of puppets.
WHO SHOULD GO? Any musical person with open ears and an adventurous spirit should really enjoy these concerts. Folks who get lost (or disgruntled) if there’s no tune they can whistle may want to stay away, though how do you know you won’t like it if you haven’t heard it? (Lindsay Koob)